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#1
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Catalogues criteria. What is worth collecting?
"Rein Bakhuizen van den Brink" wrote in message
... dear Victor, Let's face it there are important commercial reasons for this too. The British stamp printers like Walsall, Questa, Waddington, Format etc. could only get big in the 1970-ies thanks to the millions of stamps printed by them for the myriads of St.Vincent, Grenadines islands, Virgins etc. They were ordered by influential agents like Manfred Lehmann [InterGovernmental] who started with Ghana, Togo, Nigeria, Ceylon, Suriname.. Or take the African new emerging forces represented by Paris/Bruxelles based firms. The French stamp printers like the State Printers, Delrieu, Como, Vaugirard could survive only that long.. Cook Islands weren't represented by them but were printed by Heraclio Fournier in Spain. Where were the Hadramaut, Ajmani stamps etc. printed?? By some unknown Eastern Europe printer?? Who represented them? Had the Dunes been printed mainly by British, French or Spanish printers they would have been recognised by Stanley Gibbons. snip for brevity We prefer to fool ourselves, so let it be, let it be... groetjes, Rein Thanks, Rein! Very interesting point of view indeed, that explains many things. Here some further thoughts; I just try to extrapolate and to generalize what I have learned from you and from other sources. The catalogues accept as valid rather the stamps issued by established printers (it's what you say). This is a central point, and it is a consequence of several factors. There are apparently four categories of producers of big (often huge!) quantities of stamps thought for the philatelic market (estimated at least at 1 - 2 billion US$ yearly): 1. The national producers, who represent and print in their countries or abroad, for their protected national markets. Examples, among many others, are USA or China, that need big quantities of stamps for their postal needs, and that can print them inside their countries, or small countries like Switzerland, that recently decided to abroad. These stamps get listed in all major catalogues, and are considered official issues. Among them there are many countries that produce stamps largely in excess of the demands of their national postal markets, which means just for the stamp collectors worldwide. 2. The agencies that compete for the open postal and philatelic (!) market of other countries, markets that they often created or developed to a big extend. The agencies that can afford the more renown (and more expensive) printers are those who have a bigger financial power and more influence (like on the deciding postal officials in poor countries, etc.). The bigger orders allow to those printer houses, that print for the national producers and for these agencies, to grow faster, to improve their printing technology and to reduce their prices. The stamps issued by these agencies get listed in all major catalogues too. Often many of these stamps are considered undesirable, excessive or abusive. Note: also very often the competing groups use these terms when they speak about the products manufactured by their competitors. http://www.pwmo.org/articles/undesirable-stamps1.htm 3. The less powerful (but powerful enough) competitors that compete for the open market of other countries, markets that they expanded beyond any imagination. They were those who printed for the Dunes, mostly in former socialist countries, obviously for momentary limitations in output of the big printers, for (un)ethical and for costs related reasons. These stamps were and still are listed by Michel, an obviously more "flexible" catalogue house. http://www.pwmo.org/pwo-en-frame.htm , the second half 4. And the last but not least group is composed of those agents (who are acting in underground) that issue the so called illegals. Only this group is fought (but not too much, and without visible results) by the UPU and by some others. Usually these stamps aren't listed by major catalogue houses, but there are sufficient exceptions from this "rule". http://www.pwmo.org/Illegals/frame-illegals-en.htm Now let's turn to the immediate, practical consequences. It is relatively easy to answer the question of a beginner (one who is often attracted by modern topical stamps) "what should I collect?" by saying "what you like mostly"! The answer to the next simple question (what should I avoid?) isn't as obvious as it seems at the first glance. Just try to say "the stamps of the group 1" and immediately you will find by yourself some valid objections to this apparently reasonable proposal. And if you try to propose just some of the stamps of the group 1, then you will have a problem in justifying your allegedly good choice. Please note that I don't consider the answer "collect just some stamps from the group 1, limited to some countries (or to only your country), and only till the year xxxx" as being an option that can be reasonably defended. I agree with you, Rein, that too often "We prefer to fool ourselves", and I'm not an exception, unfortunately. There are different reasons for this attitude, that cannot be mentioned here without totally breaking the limitations imposed by a simple postings. Maybe I'll try it sometimes later or, even better, further contributions coming from RCSD participants will consider the different aspects of this big problem of the modern philately, and will let us know what they think about them. Regards from the cold and cloudy Switzerland, Victor Manta ---------------------------------------------------------------------------- Philatelic Webmasters Organization: http://www.pwmo.org/ Art on Stamps: http://www.values.ch/ Romania by Stamps: http://www.marci-postale.com/ Communism on Stamps: http://www.values.ch/communism/ Spanish North Africa: http://www.values.ch/sna-site/ ---------------------------------------------------------------------------- |
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#2
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dear Victor, the 4 groups you make have diffuse borders but can still be very useful. As I said in an earlier posting: - isn't it here that the line between "illegal" and "undesired" gets awfully thin? - "Illegal" is when the postal authorities have uttered problems officially, and "undesired" is when stamp collectors have complained among themselves for ages as in the case of Liberia [since the early 50-ties?], Ghana since 1959, Bhutan, San Marino etc. You will find at my website an article I wrote for the Dutch philatelic magazine 'Filatelie' [ http://www.xs4all.nl/~dziewon/fila/nl_figue.htm ] in which I displayed my irritation of how on earth could Figueredo so vigorously attack his competitor Sam Malamud in an official FIP magazine without people stop doing him so??? I haven't read your site yet, but likely you observed similar hypocrisies.. A very recent posting here concerned the 'stamps' of Micronesia. As I wrote in my article I do collect the stamps of Pitcairn Islands, not thinking they serve any postal purpose but because I once was charmed by the book on the Mutiny and the film. I have no illusion that Micronesian stamps only serve the Sam Malamud financial empire [or its successors] and that the agents have enough influence - at least in the States - to have the stamps included in Scott. And if US stamp printers are involved as well, then they definitely will find their way ... - A friend has sent me some scans of paintings by Whistler from The Federated States of Micronesia, listed for sale by Coolstamps. It is a set of 5 face values, 37c, 55c, 60c, and 80c + an imperf sheet of 2$. No year of issue is mentioned on them, but they could well be issued in 2003 for Whistler's 100th death anniversary. I have googled for more information, but no links go further than 2000. My Scott is the 1999 ed. Can anyone out there with a more recent Scott than mine help with cat.numbers, and possibly more information about the paintings? I'm not the only one that like to get fooled! - sorry Mette . And having stated so there is no ready made answer for any starting collector. Collect any stamp you like that suits you, but when you like to collect 'postage stamps' then you better stick to the the stamps of the 1st group bearing in mind that occasionally also trustworthy stamp issuing entities like Switzerland come up with embroidered rubbish or the Netherlands to come up with 'silver' stamps that can't even get cancelled properly although they were seriously meant to be used for registered letters between one philatelist to the other Buying Dutch prestige booklets and paying 9.95 for 3.90 stamp values is just financing the philatelic department of TPG, all catalogues will include the booklets or at least the stamps contained in them, so by not buying them your collection will be imcomplete. And who wants that?? And if you at one point plan to participate in an competive exhibition by entering your modern Dutch stamps, the jurors will point out to you that by not having Mette's silver stamp cover [or anything like that], your collection is worth next to nothing. So the circle is closed. And will be. There is no escaping.. groetjes, Rein Now let's turn to the immediate, practical consequences. It is relatively easy to answer the question of a beginner (one who is often attracted by modern topical stamps) "what should I collect?" by saying "what you like mostly"! The answer to the next simple question (what should I avoid?) isn't as obvious as it seems at the first glance. Just try to say "the stamps of the group 1" and immediately you will find by yourself some valid objections to this apparently reasonable proposal. And if you try to propose just some of the stamps of the group 1, then you will have a problem in justifying your allegedly good choice. Please note that I don't consider the answer "collect just some stamps from the group 1, limited to some countries (or to only your country), and only till the year xxxx" as being an option that can be reasonably defended. I agree with you, Rein, that too often "We prefer to fool ourselves", and I'm not an exception, unfortunately. There are different reasons for this attitude, that cannot be mentioned here without totally breaking the limitations imposed by a simple postings. Maybe I'll try it sometimes later or, even better, further contributions coming from RCSD participants will consider the different aspects of this big problem of the modern philately, and will let us know what they think about them. Regards from the cold and cloudy Switzerland, Victor Manta |
#3
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"Rein Bakhuizen van den Brink" skrev i en meddelelse
... - snip - A very recent posting here concerned the 'stamps' of Micronesia. As I wrote in my article I do collect the stamps of Pitcairn Islands, not thinking they serve any postal purpose but because I once was charmed by the book on the Mutiny and the film. I have no illusion that Micronesian stamps only serve the Sam Malamud financial empire [or its successors] and that the agents have enough influence - at least in the States - to have the stamps included in Scott. And if US stamp printers are involved as well, then they definitely will find their way ... - A friend has sent me some scans of paintings by Whistler from The Federated States of Micronesia, listed for sale by Coolstamps. It is a set of 5 face values, 37c, 55c, 60c, and 80c + an imperf sheet of 2$. No year of issue is mentioned on them, but they could well be issued in 2003 for Whistler's 100th death anniversary. I have googled for more information, but no links go further than 2000. My Scott is the 1999 ed. Can anyone out there with a more recent Scott than mine help with cat.numbers, and possibly more information about the paintings? I'm not the only one that like to get fooled! - sorry Mette . That's what I suspected, and the reason why I didn't bother to post the scans, but referred to coolstamps, whom I know is an ardent seller of such items. But since Micronesia is listed I wasn't sure, so I preferred to ask some of the more experienced collectors here, before passing my answer on to a young collector who asked specifically. :-) I run a youth club here, and have managed to get some of the members hooked on arts. I'd rather not fool them too much ;-) So thanks Rein, I do appreciate your opinion :-) Regards Mette And having stated so there is no ready made answer for any starting collector. Collect any stamp you like that suits you, but when you like to collect 'postage stamps' then you better stick to the the stamps of the 1st group bearing in mind that occasionally also trustworthy stamp issuing entities like Switzerland come up with embroidered rubbish or the Netherlands to come up with 'silver' stamps that can't even get cancelled properly although they were seriously meant to be used for registered letters between one philatelist to the other Buying Dutch prestige booklets and paying 9.95 for 3.90 stamp values is just financing the philatelic department of TPG, all catalogues will include the booklets or at least the stamps contained in them, so by not buying them your collection will be imcomplete. And who wants that?? And if you at one point plan to participate in an competive exhibition by entering your modern Dutch stamps, the jurors will point out to you that by not having Mette's silver stamp cover [or anything like that], your collection is worth next to nothing. So the circle is closed. And will be. There is no escaping.. groetjes, Rein Now let's turn to the immediate, practical consequences. It is relatively easy to answer the question of a beginner (one who is often attracted by modern topical stamps) "what should I collect?" by saying "what you like mostly"! The answer to the next simple question (what should I avoid?) isn't as obvious as it seems at the first glance. Just try to say "the stamps of the group 1" and immediately you will find by yourself some valid objections to this apparently reasonable proposal. And if you try to propose just some of the stamps of the group 1, then you will have a problem in justifying your allegedly good choice. Please note that I don't consider the answer "collect just some stamps from the group 1, limited to some countries (or to only your country), and only till the year xxxx" as being an option that can be reasonably defended. I agree with you, Rein, that too often "We prefer to fool ourselves", and I'm not an exception, unfortunately. There are different reasons for this attitude, that cannot be mentioned here without totally breaking the limitations imposed by a simple postings. Maybe I'll try it sometimes later or, even better, further contributions coming from RCSD participants will consider the different aspects of this big problem of the modern philately, and will let us know what they think about them. Regards from the cold and cloudy Switzerland, Victor Manta |
#4
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(Rein Bakhuizen van den Brink) wrote in message ...
A very recent posting here concerned the 'stamps' of Micronesia. As I wrote in my article I do collect the stamps of Pitcairn Islands, not thinking they serve any postal purpose but because I once was charmed by the book on the Mutiny and the film. I have no illusion that Micronesian stamps only serve the Sam Malamud financial empire [or its successors] and that the agents have enough influence - at least in the States - to have the stamps included in Scott. And if US stamp printers are involved as well, then they definitely will find their way ... - A friend has sent me some scans of paintings by Whistler from The Federated States of Micronesia, listed for sale by Coolstamps. It is a set of 5 face values, 37c, 55c, 60c, and 80c + an imperf sheet of 2$. No year of issue is mentioned on them, but they could well be issued in 2003 for Whistler's 100th death anniversary. I have googled for more information, but no links go further than 2000. My Scott is the 1999 ed. Can anyone out there with a more recent Scott than mine help with cat.numbers, and possibly more information about the paintings? ============================================= Hello Rein: I checked my 2004 Scott for issues 2000-2003. It only covers Micronesia until Feb 2003 and the Whistler set is NOT included. Best Regards Blair ============================================= |
#5
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"TC Blair" skrev i en meddelelse
om... (Rein Bakhuizen van den Brink) wrote in message ... A very recent posting here concerned the 'stamps' of Micronesia. As I wrote in my article I do collect the stamps of Pitcairn Islands, not thinking they serve any postal purpose but because I once was charmed by the book on the Mutiny and the film. I have no illusion that Micronesian stamps only serve the Sam Malamud financial empire [or its successors] and that the agents have enough influence - at least in the States - to have the stamps included in Scott. And if US stamp printers are involved as well, then they definitely will find their way ... - A friend has sent me some scans of paintings by Whistler from The Federated States of Micronesia, listed for sale by Coolstamps. It is a set of 5 face values, 37c, 55c, 60c, and 80c + an imperf sheet of 2$. No year of issue is mentioned on them, but they could well be issued in 2003 for Whistler's 100th death anniversary. I have googled for more information, but no links go further than 2000. My Scott is the 1999 ed. Can anyone out there with a more recent Scott than mine help with cat.numbers, and possibly more information about the paintings? ============================================= Hello Rein: I checked my 2004 Scott for issues 2000-2003. It only covers Micronesia until Feb 2003 and the Whistler set is NOT included. ********************* Blair, that might well be because they were issued rather late in the year (October), after deadline for the catalogue to go to print. -- Best regards Ann Mette Heindorff (Mette) reply to heindorffhus at heindorffhus dot.dk http://www.heindorffhus.dk |
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dear Victor,
I knew I hadn't imagined that 'eastern europe printer' bit myself. In the 75th anniversary [1919-1994] leaflet of the Polish State Printers in Warsaw they state [translated from Polish]: 'While in Vienna for the UPU Congress 1965, the state publishing house 'Ruch' had talks with several postal authorities about possible printing orders for postage stamps. The first result was an order made by the Beyruth firm 'Meccataf'. Between 1967 and 1974 the State Printers produced 510 stamps [all together 335.485.000 copies] plus 92 blocks [all together 4.106.000 copies]. These orders were for the following countries: Ajman-Manama, Ras Alkhaima, jemen, Oman, Fujeira, Sharjah, Marocco, Equador, Kuwait, Nepal and Lybia.' groetjes, Rein On 14 Nov 2004 12:09:24 , "Victor Manta" wrote: dear Victor, Let's face it there are important commercial reasons for this too. The British stamp printers like Walsall, Questa, Waddington, Format etc. could only get big in the 1970-ies thanks to the millions of stamps printed by them for the myriads of St.Vincent, Grenadines islands, Virgins etc. They were ordered by influential agents like Manfred Lehmann [InterGovernmental] who started with Ghana, Togo, Nigeria, Ceylon, Suriname.. Or take the African new emerging forces represented by Paris/Bruxelles based firms. The French stamp printers like the State Printers, Delrieu, Como, Vaugirard could survive only that long.. Cook Islands weren't represented by them but were printed by Heraclio Fournier in Spain. Where were the Hadramaut, Ajmani stamps etc. printed?? By some unknown Eastern Europe printer?? Who represented them? Had the Dunes been printed mainly by British, French or Spanish printers they would have been recognised by Stanley Gibbons. |
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"Rein Bakhuizen van den Brink" wrote in message
... dear Victor, I knew I hadn't imagined that 'eastern europe printer' bit myself. In the 75th anniversary [1919-1994] leaflet of the Polish State Printers in Warsaw they state [translated from Polish]: 'While in Vienna for the UPU Congress 1965, the state publishing house 'Ruch' had talks with several postal authorities about possible printing orders for postage stamps. The first result was an order made by the Beyruth firm 'Meccataf'. Between 1967 and 1974 the State Printers produced 510 stamps [all together 335.485.000 copies] plus 92 blocks [all together 4.106.000 copies]. These orders were for the following countries: Ajman-Manama, Ras Alkhaima, jemen, Oman, Fujeira, Sharjah, Marocco, Equador, Kuwait, Nepal and Lybia.' groetjes, Rein Thanks for this supplementary data, Rein! I suppose that some Western businessmen have facilitated in the 60s and 70s a so-called "transfer of technology" to certain European communist countries. These countries could then produce at lower costs a lot of stamps, this not only for the Dunes, etc., but also for themselves, of more exactly for the exportation of their stamps in the Western countries. This permitted the quick return of investment and nice profits to many participants in this deal but inflated even more the stamp collecting as such. But after some decades the equipment wore out and was replaced by some obsolete things, and this could be the reason why the typographic quality of the stamps produced today (for example by Romanian PA) is lower now than it was 30 years ago. I wonder if this explanation is correct. Victor Manta ---------------------------------------------------------------------------- Romania by Stamps: http://www.marci-postale.com/ Communism on Stamps: http://www.values.ch/communism/ Philatelic Webmasters Organization: http://www.pwmo.org/ Art on Stamps: http://www.values.ch/ Spanish North Africa: http://www.values.ch/sna-site/ ---------------------------------------------------------------------------- |
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dear Victor, this is not true, at least not in the case of the printer in Warsaw. They had access to modern printing machines all the time. WIFAG and Goebel presses were in Poland, Czechoslovakia, USSR from the early fifties, or even earlier [the Polish Goebel was almost as old as the Swiss PTT one in Bern]. Czech printers installed a WInkler Fallert in Peking in 1959.... Also the offset-litho Roland MAN presses were available.. The Polish PWPW bought new presses in the 1970-ies from GOEBEL, Darmstadt. When they had the currency they could buy, no obstacles. groetjes, Rein On 22 Nov 2004 20:40:40 , "Victor Manta" wrote: "Rein Bakhuizen van den Brink" wrote in message Thanks for this supplementary data, Rein! I suppose that some Western businessmen have facilitated in the 60s and 70s a so-called "transfer of technology" to certain European communist countries. These countries could then produce at lower costs a lot of stamps, this not only for the Dunes, etc., but also for themselves, of more exactly for the exportation of their stamps in the Western countries. This permitted the quick return of investment and nice profits to many participants in this deal but inflated even more the stamp collecting as such. But after some decades the equipment wore out and was replaced by some obsolete things, and this could be the reason why the typographic quality of the stamps produced today (for example by Romanian PA) is lower now than it was 30 years ago. I wonder if this explanation is correct. Victor Manta |
#9
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"Victor Manta" wrote in message ... "Rein Bakhuizen van den Brink" wrote in message ... dear Victor, I knew I hadn't imagined that 'eastern europe printer' bit myself. In the 75th anniversary [1919-1994] leaflet of the Polish State Printers in Warsaw they state [translated from Polish]: 'While in Vienna for the UPU Congress 1965, the state publishing house 'Ruch' had talks with several postal authorities about possible printing orders for postage stamps. The first result was an order made by the Beyruth firm 'Meccataf'. Between 1967 and 1974 the State Printers produced 510 stamps [all together 335.485.000 copies] plus 92 blocks [all together 4.106.000 copies]. These orders were for the following countries: Ajman-Manama, Ras Alkhaima, jemen, Oman, Fujeira, Sharjah, Marocco, Equador, Kuwait, Nepal and Lybia.' groetjes, Rein Thanks for this supplementary data, Rein! I suppose that some Western businessmen have facilitated in the 60s and 70s a so-called "transfer of technology" to certain European communist countries. I don't understand the innuendo here. There were fully open trade channels used between Europe and Eastern Europe at the time of which you speak. In addition, there were highly industrialised countries on the other side of the Iron Curtain. I am sure they knew how to print. These countries could then produce at lower costs a lot of stamps, this not only for the Dunes, etc., but also for themselves, of more exactly for the exportation of their stamps in the Western countries. This permitted the quick return of investment and nice profits to many participants in this deal but inflated even more the stamp collecting as such. Yes. That is unfortunately oinly too true. But after some decades the equipment wore out and was replaced by some obsolete things, and this could be the reason why the typographic quality of the stamps produced today (for example by Romanian PA) is lower now than it was 30 years ago. I wonder if this explanation is correct. I doubt it most sincerely. Franz |
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